Rita Dove- American Award Winner

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Parsley, and a few other poems

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Find out more about "Parsley"

This is a poem Rita was asked to read at the White House.
 
Parsley*
1. The Cane Fields

There is a parrot imitating spring
in the palace, its feathers parsley green.
Out of the swamp the cane appears

to haunt us, and we cut it down. El General
searches for a word; he is all the world
there is. Like a parrot imitating spring,

we lie down screaming as rain punches through
and we come up green. We cannot speak an R-
out of the swamp, the cane appears

and then the mountain we call in whispers Katalina.
The children gnaw their teeth to arrowheads.
There is a parrot imitating spring.

El General has found his word: perejil.
Who says it, lives. He laughs, teeth shining
out of the swamp. The cane appears

in our dreams, lashed by wind and streaming.
And we lie down. For every drop of blood
there is a parrot imitating spring.
Out of the swamp the cane appears.

2. The Palace

The word the general's chosen is parsley.
It is fall, when thoughts turn
to love and death; the general thinks
of his mother, how she died in the fall
and he planted her walking cane at the grave
and it flowered, each spring stolidly forming
four-star blossoms. The general
pulls on his boots, he stomps to
her room in the palace, the one without
curtains, the one with a parrot
in a brass ring. As he paces he wonders
Who can I kill today. And for a moment
the little knot of screams
is still. The parrot, who has traveled

all the way from Australia in an ivory
cage, is, coy as a widow, practising
spring. Ever since the morning
his mother collapsed in the kitchen
while baking skull-shaped candies
for the Day of the Dead, the general
has hated sweets. He orders pastries
brought up for the bird; they arrive

dusted with sugar on a bed of lace.
The knot in his throat starts to twitch;
he sees his boots the first day in battle
splashed with mud and urine
as a soldier falls at his feet amazed--
how stupid he looked!--at the sound
of artillery. I never thought it would sing
the soldier said, and died. Now

the general sees the fields of sugar
cane, lashed by rain and streaming.
He sees his mother's smile, the teeth
gnawed into arrowheads. He hears
the Haitians sing without R's
as they swing the great machetes:
Katalina, they sing, Katalina,

mi madle, mi amol en muelte. God knows
his mother was no stupid woman; she
could roll an R like a queen. Even
a parrot can roll an R! In the bare room
the bright feathers arch in a parody
of greenery, as the last pale crumbs
disappear under the blackened tongue. Someone

calls out his name in a voice
so like his mother's, a startled tear
splashes the tip of his right boot.
My mother, my love in death.
The general remembers the tiny green sprigs
men of his village wore in their capes
to honor the birth of a son. He will
order many, this time, to be killed

for a single, beautiful word.

*"On October 2, 1957, Rafael Trujillo (1891-1961), dictator of the Dominican Republic, ordered 20,000 blacks to be killed because they could not pronounce the letter"r" in perejil, the Spanish word for parsley"(Dove's note)
 
This poem was the hardest for me to understand what was going on as I read it. After doing a little reasearch I found out the meaning behind her poem Parsley. To me the feilds she speaks of are symbols of death as many were killed for not being able to pronounce perejil correctly, which translates into parsley. I think the General she speaks of is a very bitter man who cannot let go of his mothers death, taking it out on the people in a horrid way. He sounds very mentally ill and I did like the way Rita exploited what had gone on.
 
 

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Used


The conspiracy's to make us thin.
Size threes are all the rage,
and skirts ballooning above
twinkling knees are every man-child's
preadolescent dream.
Tabla rasa. No slate's that clean--


We've earned the navels sunk in
grief when the last child emptied us
of their brief interior light.
Our muscles say
We have been used.


Have you ever tried silk sheets?
I did, persuaded by postnatal dread
and a Macy's clerk to bargain
for more zip.


We couldn't hang on, slipped to
the floor and by morning the quilts
had slid off, too. Enough of guilt--
It's hard work staying cool.

Used Can be looked at in a Feminist's point of view. Feminist critics look at how women are portrayed and show us how women are treat as unequals to men. In many cases many women are seen as sex symbols and are not taken seriously.

In Used it is shown that woman have one purpose in life and that is to have children, we abuse and use our bodies for the creation of life. We must be up to societies standards of "thin" and must always fufill the "role" of being a woman.

Afield


Out where crows dip to their kill
under the clouds' languid white oars
she wanders, hand pocketed,
hair combed tight
so she won't feel the breeze quickening--
as if she were trying to get
back to him,


Find the breach in the green
that would let her slip through,
then tug meadow over the wound
like a sheet.


I've walked there, too: he can't give
you up, so you give in until you
can't live without him.


Like these blossoms, white sores
burst upon earth's ignorant flesh,
at first sight everything is innocence--
then it's itch, scratch, putrescense.

This poem sounds like a woman is working in the feild, it has it's innocence but that quickly is taken away by what the field holds. The feild maybe holds cotton, maybe she is a slave as she thinks about getting away to be with the man she has lost along the way. The idea for escape is quickly changed as she has no outs. All she has is her memories of him. Also, this poem has a lot of personification, speaking of the wounds and flesh of the earth. She is also using Assonance in this poem.

The Boast


At the dinner table, before the
baked eggplant, you tell the story
of your friend,
Ira, how he kept a three-foot
piranha in his basement.


"It was this long," you say,
extending your arms,
"And it was striped, with silver
scales and blue shadows."


The man with purple eyes lifts
his eyebrows; you laugh at his
joke about the lady in the
sausage suit, your toes find his
under the table, and he is yours.


Evening expires in a yawn of stars.
But on the walk home, when he
pulls you into the hedges, and the
black tongues of leaves flutter,
and those boogey-man eyes glitter,


There won't be time for coming
back with lies, with lies.

In this poem Rita talks about fibs, lies, and how two people find interest in eachother. We don't know what exactly happened in those bushes, but whatever it is they won't be able to tell a tall tale about this one.... Rita uses personification in this poem, along with imagery and a little alliteration.

Work Cited-Book Sources

Dove, Rita. Grace Notes: Poems. New York: W.W. Norton, 1989.

Dove, Rita. On the Bus With Rosa Parks. New York: W.W. Norton, 1999.

 

 

 

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